FOR YEARS one of the curious features
of embedding in Afghanistan was that ISAF/NATO required reporters to
fly in to Kabul International Airport and find their own way to the
embed embarkation point at Bagram Airfield 60 miles away and then find
their own way back to the airport when the embed was over.
For frequent embedders with an active
press credential, they take it one step further and all but encourage
the reporter to make their way from the civillian airport to the
location
of the unit they are covering on their own.
Which was why on the morning of June
16th I found myself drinking tea at the waiting area of parking lot
C of Kabul International Airport.
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| JD at the restaurant and waiting
area of Parking Lot C, Kabul
International
Airport. My goal when travelling internationally is to look like
a Russian. I kinda pull it off. Photo by H-JD. |
I was waiting for H-JD, one of the best
interpreter/fixers in Afghanistan to pick me up. Like many interpreters
who have worked with expats and the Special Forces, H-JD took a western
nick name--JD--the 'H' for 'Hazara' gets added on when I'm around to
distinguish between us.
The flight from Dubai on Kam Airlines
unexpectedly arrived on time so I waited around for an hour drinking
tea watching a parade of Afghans being picked up and dropped off the
from the airport. For some Afghans, travelling by jetliner is
a major production with dozens of family members being there for the
drop off and pick up.
The plan at that point was for Tim Lynch
to drop me off at Camp Phoenix where I would begin my embed with the
US Military.
That plan was radically altered
when
H-JD mentioned off-hand, "tomorrow we're driving up to Bamiyan."
IN THE OPENING ACT of every story,
novel,
movie or play the lead character decides to embark on the adventure
or journey and crosses the threshold.
On the flight from Dubai to Kabul I
tried
to decide where the threshold point was on this trip to the war.
The threshold point should be one of no return, the narrative arc begins
and cannot be undone. It does not have to be a physical act, it
can also be psychological, a commitment to the journey or task.
The physical point of no return for
the
embed trip could have been when I got on the flight from Dubai to
Kabul.
The actual commitment in my own mind had been made weeks earlier.
When H-JD mentioned Bamiyan a whole
new
journey opened up before me.
Last summer when I was in
Afghanistan
working on an elections project I heard the legend of the Sleeping
Buddha
of Bamiyan.
In the city of Bamiyan northwest of
Kabul
there were three giant statues of Buddha. Two of the statues of
Buddha were of a standing Buddha carved out of the cliffs. The
operative word is 'were' because in 2000 the Taliban destroyed the two
standing Buddhas with explosives.
But they did not destroy the third
giant
Buddha statue, the one of the Buddha lying asleep as he entered
nirvana.
The Taliban didn't even know the sleeping Buddha existed because it
had been lost to the ages only mentioned briefly in the writings of
Chinese monk and traveler Xuan Zang who passed through Bamiyan around
632 AD.
After the fall of the Taliban,
archeologists
went in search of the sleeping Buddha and, after hearing the stories
and the legend, I too wanted to go in search of the sleeping Buddha
of Bamiyan. I wanted to cross another threshold into a new journey.
THE SAFE HOUSE in Kabul where I met
up
with Tim Lynch and Amy Sun was down a non-descript back alley in central
Kabul ran by two Australian expats who kept plenty of beer on hand.
Amy, Tim and H-JD were going to
Bamiyan
on what amounts to a vacation inside Afghanistan. Bamiyan province
is the safest place in the country. The few soldiers assigned
to the province can be seen out in the city without body armor or even
a side-arm.
Amy Sun is an engineer and
post-grad
student at MIT who works with the FabLab projects .
Tim Lynch a retired Marine infantry
officer
well known for appearing on the cover of Soldier of Fortune Magazine,
does studies and observation work and security for Non-Governmental
Organizations.
The decision for me to go to
Bamiyan
was made in about two minutes by Tim.
The sequence followed the first few
steps
of the well worn path of the hero. There was the lead charachter,
me, in his natural environment--waiting around in some strange foreign
airport dressed like a Russian thug. Then the call to adventure,
"We're going to Bamiyan." Followed by the lead character
being a bit reluctant--I had an embed to do, legit work, that I didn't
want to screw up.
Tim, though only a decade older
than
me, played the role of the 'encouraging wise old man' when he said,
"nah, we can make this work."
It was a done deal when the
Commanding
Officer of the Team I was set to embed with had no issue with me joining
up with them a few days late. The Team Commander had heard about
Bamiyan and understood completely.
The threshold commitment was made
on
that afternoon and we had dinner at Boccaccio, an Italian restaurant
near the US Embassy. The physical crossing of the threshold was
the next morning when we loaded up in the old, but mechanically sound,
Toyota Land Cruiser and headed for Bamiyan.
I REGRET that I do not have the
time
to do proper justice to Bamiyan now--I'm embedded with a team of US
Soldiers. When I get home I will take the time put together a
piece that does proper justice to Bamiyan.
For now, here are some pics.
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Valley
of Bamiyan as viewed from ruins of small Buddha.
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| JD
about 1 mile from the ruins of the small Buddha. In addition to
the Buddha statues, there are carved out grottos where monks lived and
meditated. |
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| Large Buddha
at dawn. |
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| Hotel Silk
Road Bamiyan. |
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| Ruins of
the Red City. |
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| Ruins of
the Cursed City. |
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| JD with the
Land Cruiser along the Bamiyan River gorge. |
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| Road
to Bamiyan. The Bamiyan road is about 130 kilometers of improved
gravel road and goat trails. |
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| More
of Bamiyan road. |
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| The
Sakhi No. 1 Restaurant. Excellent rice pillau, but if you are
not used to the local food, avoid the beef curry. |
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| Red
City expedition team, from left: H-JD, Afreen, Tim, Amy, JD. |
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